What a day. Huge honor for me on multiple levels. Let's start with the bride. I have no daughters. But that's a lie. Because I have "types" in ladies like Tracey. I've known her most of her life. From being a little girl (She was never little. Never.) to this day, where she is more like a sister. Chris passed the grilling exam with flying colors. Tracey found a good thing and we all concur. I can't wait to grow old with this couple.
More honorable moments. I'll move quicker. I got to perform the ceremony. Sweet. I got to watch my son shoot his very first wedding. That was super sweet (But he better photoshop my triple chin). And then after the ceremony I had the pleasure of shooting the rooftop shots. And while we're all ecstatic about how they came out, I think it needs explaining so that you don't think that you can't attain the same shot. Remember that I am not a professional or even a semi-pro. I am a drummer who writes songs, who pastors on the side, who loves Melissa, Jordan and Donovan and who likes capturing moments with all forms of media. A pure hobby and pleasure type.
I've been thinking about for a while. It was not all shooting from the hip :-) Let me make that clear. The best photographer is a prepared photographer. And I agree with Eric Veras who quoted someone who said "the most important piece of gear in your bag is your attitude". It was blazing hot outside, completely blown out skies, way too much sun, and I was emotionally exhausted from the wedding (in the best way). But this was for Chris and Tracey. They didn't have much going into this wedding. And they had to deal with a major last minute cancellation: the photographer. What were they to do? Well...what are friends for? Father and son joined forces with Eric Veras (who is way more comfortable and coordinated than any of us, and was busy himself doing the videography!) and came home with a wedding portfolio that I know Tracey and Chris will be most pleased with. So what did we do?
Jordan handled all of the interior shots. Who wouldn't want to when you have Andre Vazquez providing the ceremony lighting design. Most of that he handled with the 70-200 2.8 L IS . The lens gave him the speed and flexibility thats needed when you're in tight spots. Jordan also loves shooting with natural light (reception) and the skylight at Maestros was amazing. Most of those shots were handle with daddy's Canon prime L glass. If you want speed, sharpness wide open and buttery dreamy bokeh, you have to go with fast prime glass, IMHO. Wait till you see these shots.
The rooftop shots (pictured) went as follows: Canon 5D Mark II, 17-40mm 4.0, B&W Polarized Filter, Canon Ex580 Speedlight w/Softbox
I underexposed all of my pics until the skies and background were right. Polarized filter was a must or else no blue skies. But that left the bride and groom almost pitch black. Then Jordan worked the speedlight/soft box masterfully, giving me all of the intensity variables needed. This was key to the success of these pics. Lighting is everything. Eric handled all of the direction. If it were not for him, we would not have given the bride and groom the necessary cues on what to do, how to pose, and all the necessary combinations. Our faithful assistant (Belinda Ramos) also cancelled at the last minute because Taffeta doesn't do well in hot conditions. She's no fool. It took her weeks to find that dress and she was not coming to the reception with big old sweat stains. Thanks Bel. We love you too.
Let it be known. Sessions like this require a team. None of this happens without community. Another reason why I love this stuff so much: I get to rub up against some of my favorite people. The sum is much greater than the parts. The proof is in the pic.






